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By Graham Bird

This Companion presents an authoritative survey of the complete diversity of Kant’s paintings, giving readers an concept of its massive scope, its notable fulfillment, and its carrying on with skill to generate philosophical interest.* Written via a world solid of students* Covers all of the significant works of the severe philosophy, in addition to the pre-critical works* matters coated diversity from arithmetic and philosophy of technological know-how, via epistemology and metaphysics, to ethical and political philosophy

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Additional resources for A Companion to Kant (Blackwell Companions to Philosophy)

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His father suffered a stroke in late 1744 and Kant took care of him in 1745, and buried him in spring 1746. Was Kant after the funeral perhaps too overcome by grief to finish his studies? This seems unlikely, for he completed the book in the first half of 1746, submitted it to the censor in mid-summer, and added the last revisions in spring 1747. Could financial troubles have compelled the dropout? The father’s disability and death certainly meant the loss of the family’s income. After the burial in 1746, Kant began to disband the household (his mother had died in 1737), sold off what property remained, and found homes for his siblings.

One unjust calumny often directed against the Enlightenment is that it was a movement devoid of a sense of the historical or an awareness of the historical context of 21 ACTC01 21 19/5/06, 2:20 PM allen w. wood human actions and endeavors. The charge is perniciously false, and especially so when directed toward Kant. What it often represents is a deceptive presentation of a different view of history from the Enlightenment’s, or else an even shabbier attempt by nineteenth-century thinkers to pass off the Enlightenment’s accomplishments in historical thinking as their own, or both of these at once.

His first inquiries, in the 1740s, were about force, its activity and interplays. This research informed his subsequent examinations, in the 1750s and early 1760s, of nature, freedom, matter, and God. In the mid-1760s, Kant recognized that these examinations involved conjectural leaps, a recognition that prepared the critiques of speculation and reason of the 1780s. At this juncture, dynamic perspectives were fading into the background, but they did not entirely disappear. In the final two decades of his life, reminiscent of his pre-Critical project, Kant renewed his efforts at joining metaphysics and physics in the Opus postumum (1785–1802), and here dynamics returned to center stage.

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