By Lloyd Edward Kermode
Masking a wide selection of performs from 1550-1600, together with Shakespeare's moment tetralogy, this e-book explores ethical, historic, and comedian performs as contributions to Elizabethan debates on Anglo-foreign kinfolk in England. the commercial, social, non secular, and political matters that arose from inter-British touch and Continental immigration into England are reinvented and rehearsed at the public level. Kermode uncovers vast 'alien stages' within the drama: certain yet overlapping strategies in which the alien used to be used to posit rules and beliefs of Englishness. Many reviews of English nationwide identification pit Englishness opposed to the alien 'other' in order that the local self and the alien settle into antithetical positions. against this, extraterrestrial beings and Englishness reads a physique of performs that characterize Englishness as a nation of ideological, invented superiority - sarcastically reliable in its consistent changeability, and taken into being through incorporating and finally accepting, or even celebrating, instead of rejecting the alien.
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Additional resources for Aliens and Englishness in Elizabethan Drama
16 Aliens and Englishness in Elizabethan Drama then self-fashioning quintessentially enacts the decentred centre or the elusive ‘nature’ that is Englishness. English self-forgetting is in a sense, then, impossible. Self-fashioning as deliberate show for the English man or woman at the various social levels of artisan, gentleman, lady, or aristocrat becomes the only possible way to represent the self to one’s own self and others. To play at being other, to be alien, to incorporate the foreign, and to confuse the actor and the ‘other’ part being played is to show Englishness itself in action.
But Wilson places the dangers on the audience’s doorstep and in the present. The Three Ladies of London has Lady Lucre ‘rule the roost’ in London, causing the demise of Hospitality (a centrally important concept in sixteenth- and seventeenth-century England) and the moral and physical destruction of Ladies Love and Conscience. We find that Lady Lucre and her henchmen have alien heritage, and the play makes sure to emphasize that it is foreign importing of useless products that corrupts Englishness, and the exporting of naturally ‘good’ English produce that enriches foreign countries and alien merchants.
This seems like a nod toward Spanish enrichment of England, but the play erodes both the possession of good wealth by England and the possibility of sustained appreciation of Spanish presence. The wealth coming to England at this time is widely marked with the spirit of the alien. Diana Wood begins her chapter on the question of defining money in medieval England with the observation that to some commentators the crosses on late-medieval English silver pennies gave them a godly identity; and in a related fashion, as M.